Shelley’s original gothic tale with a touching twist; set to a blend classical and contemporary music, the choreography drives an unexpected new and original narrative.
Shelley’s original gothic tale with a touching twist; set to a blend classical and contemporary music, the choreography drives an unexpected new and original narrative.
Don Ross has just released his new CD/LP, WATER. It is his 18th solo album, and his 21st including collaborations. For this new recording, Don decided to launch a Kickstarter fundraising campaign and do the release 100% independently.
Don Ross has just released his new CD/LP, WATER. It is his 18th solo album, and his 21st including collaborations. For this new recording, Don decided to launch a Kickstarter fundraising campaign and do the release 100% independently.
Get ready for a jaw-dropping, toe-tapping spectacle! Bear Grease takes the 1978 musical, Grease, on an Indigenous joyride, with fashion that slays, humour that tickles your funny bone, and music that makes you groove!
Get ready for a jaw-dropping, toe-tapping spectacle! Bear Grease takes the 1978 musical, Grease, on an Indigenous joyride, with fashion that slays, humour that tickles your funny bone, and music that makes you groove!
Juggling literally with the world of Magritte, this clownesque and playful creation by L’Aubergine is an invitation to enter the world of dreams where anything is possible. Music, surprises, fantasy and jests await: happiness guaranteed!
Juggling literally with the world of Magritte, this clownesque and playful creation by L’Aubergine is an invitation to enter the world of dreams where anything is possible. Music, surprises, fantasy and jests await: happiness guaranteed!
An exploration of our reverence of classical theatre through the lens of modern feminism. Do we control our own fate? Juliet is perhaps the character in literature with the least free will. Not only is she a child, a woman, the literary embodiment of love but she is a character in someone else’s play... a man’s play.
An exploration of our reverence of classical theatre through the lens of modern feminism. Do we control our own fate? Juliet is perhaps the character in literature with the least free will. Not only is she a child, a woman, the literary embodiment of love but she is a character in someone else’s play... a man’s play.
